Headphones....
What a nice start this was for this thread (see quote from warpdrive below)!
As far as preferences go, I think the headphone world leaves a little more room for subjective judgment than other parts of the audio chain or even speakers. The odds of doing a double blind test between pairs of headphones seem to be at or near zero. So subjective, biased perceptions are going to play a part. It may be that using DBTs the vast majority of people prefer a certain kind of sound. But you are never going to find out what that sound is with headphones. Different ears have different shapes and with the headphones right on top your ears I am convinced different people get different end results with headphones, moreso than with speakers. Also, as I said, I don't see how you could ever fully DBT headphones. So this sort of philosophical debate I am reading here in this thread perhaps doesn't help the headphone enthusiast in his search for headphone nirvana (which, by the way, I have reached
).
Also, with headphones, as warpdrive suggests, you have the opportunity to acquire different excellent sounds (different sets of excellent headphones) relatively cheaply and to cycle through them, alternate through them, learn from them, be curious about them, at will, unlike with speakers. To me, this is a little nicer and a lot more fun than worrying about what headphone the vast majority would prefer in a DBT, especially since a DBT ain't gonna happen with headphones. I have all my main phones hanging by my bedside. Speakers would be a different story, this sort of philosophical what's the best thinking would make sense for speaker design or speaker shopping. For headphones, just buy two! Or three! Or four.....
I also have a Behringer DEQ2496 digital equalizer in the loop in my main headphone rig. This increases my enjoyment and satsifaciton enormously. This can alter the sound signature in an unimaginable number of ways. In addition to having an incredible gadget value and an incredible audio enthusiast value (as far as improving audio quality enormously), it's also extremely educational to get familiar with what changes in different parts of the audio spectrum sound like. If a particular pair of headphones or a particular recording is flawed or is bugging me, I can change it to suit my preferences quite quickly. Each headphone's sound signature becomes infinitely variable. I can increase the fidelity or enjoyment of a pair of headphones very quickly and effectively. Since there are no room interactions as a variable, high quality EQ goes straight to the heart of the headphone experience.
The etymonics and grado headphones warpdrive has are very nice indeed. I have many pairs of headphones. The ones I really like for sound quality that I have and listen to often are Grado SR60s, Senn HD280s & HD580s, and Sony MDR-CD580s, MDR-CD780s, and MDR-V6s. As WmAx can tell you, I go through periods of preferring any one of these to the others, swearing that I like one better than all the others. But these are the ones I have that really hit that critical level of sound quality for me so that it's pretty much a "go" all the way. With the DEQ2496 in the loop I don't need to go and search for something just a little better. I can make it just a little better very easily. These are all headphones I would give at least 9 out of 10 to for sound quality. They're all relatively cheap, too. I've given a listen to nearly every expensive headphone out there today, and these have held their own.
I think with headphones, there is a natural preference for a little extra mid-bass, in compensation for the lack of the visceral bass you get with loudspeakers or loud music filling the air and impacting more than just the ears. Also, as WmAx alluded to, I think empirically it seems that most prefer something a little shy of razor flat highs with headphones... for one reason or another (perhaps recording techniques, or the immediacy of headphones) it can get harsh. The extent one wants a little extra mid-bass or a rolled off highs with headphones is going to vary widely, in my experience.
I also have the aforementioned Corda HA-1 amp, a Behringer mixer, and a JVC minisystem looped into my headphone setup. My sources are my JVC minisystem, an ipod, a Sony DVD player, a Sony minidisc player, an XM radio, and a loose portable input. Everything is set up at my bedside like a Rube Goldberg device. I can accomplish any particular objective in several combinations of connections and components, from the shortest path possible to keeping things in the digital domain as much as possible to going round and round and round for that wonderful feedback loop sound.
And all that together is the nicest hi-fi thing I've ever had in my whole life.
If you actually took the time to read this, thanks.
warpdrive said:
Are you a fellow head-fi member? I'm suffering from supreme headphone upgraditis....I'm tend to want to try new headphones. It's so much cheaper experimenting and upgrading headphones than anything else, and it's like speakers, every headphone has something unique to offer.
Right now, I'm using my new Etymotics ER-4S plugged into a Airhead amp for portable use, or my Grado SR-60's when I don't want isolation.
At home, I'm using Grado SR225's. Their supreme detail works really well for movies, I find I can understand dialogue more clearly with these headphones while watching movies. They don't go terribly deep in the bass, but explosions and stuff are rendered with lots of impact. Very nice.