When the guy makes generalizations regarding the "Objectivist camp" who exactly speaks for them? Sometimes I even see major outlets which from my perspective are pretty much indeed "objectivists" say almost completely
different things. Take this I just read, with the pertinent part I've underlined, for example
"At its rated 200 watts per channel, the Amplitude16 [~$13K] delivered 80dB SINAD (0.01% THD+N), which remains
very good and well below the threshold of audibility. "
source:
Recent Audioholics review based on objective measurements
vs. this other objectivist outlet comparing SINAD values it has measured:
source:
https://www.audiosciencereview.com/forum/index.php?threads/sinad-measurements.4071/page-13
enlarged section in question:
View attachment 79719
Can I safely assume "red" means it should be avoided, ASR? If so notice how
slightly more than half of the "red" units on ASR's color chart fall between 80 to 90 SINAD? . . . So which is it guys? Units falling between 80-90 "are very good and fall well below the limit of audibility"? Or should they instead be
avoided?
For any sane listening environment I personally lean more towards Gene's assessment, by the way. Think about this: even state-of-the-art phono playback costing hundreds of thousands of dollars would have SINAD values around maybe 60 to 70,
on their best day, and that's
only if they are perfect condition records without any pops and ticks. Also consider this: all music recorded prior to the 80/90s used
analog studio tape recorders where the "red line" peaks were routinely placed at even up to 3% THD (to record as high above the noise floor as humanely possible), and in terms of SINAD that would be (pretending for the moment the format is noise free and
only has THD contributing to its SINAD value)
around 30. [Granted this value, 30, is just for the brief musical peaks, not a sustained value.]