Okay, well, I experimented last night by putting my PSW350 katty-cornered so the ports fire directly into the actual corner (to the left of my left front channel, a Polk RTi12 tower) and ran the
War of the Worlds DVD with the DTS track engaged -- I couldn't believe it, but there was a ridiculous drop in bass output from this position. I was expecting a massive increase in at least "boominess" without the benefit of control and tightness with the sub being directly in the corner, but I couldn't believe what I was experiencing -- the sequence in which the tripods explode out of the ground toward the beginning, and the mechanical arms and legs crash down on the cars and people, which is normally a scene that exhibits bone-crushing wallops of LFE, didn't have much impact AT ALL. I simply couldn't believe this.
So, a little while longer into the DVD, I stopped the disc and put the sub back to around where it was originally -- that is, out of the actual corner and closer to the left RTi12 main but flush with the wall my system and wall unit are on. I pushed the enclosure back a bit so the rear ports were a little closer to the wall, then I continued
War of the Worlds. Suddenly, the impact and slam were much more defined now, with the room-shaking (well, the best this piece of crap sub can shake a room) effect that began rattling my wall decoration once again.
What's interesting about this also was the fact that as soon as I played the first action sequence with the sub in its moved position back along the front wall, my wife yelled down to me from the second floor loft (where our 2-channel system is; she was actually listening to the tuner and working on her laptop up there) and I paused the disc to ask her what she said -- she asked me if I had played with the sub's calibration levels or volume because the vibrations upstairs were ridiculous. I mentioned that I had only moved the sub back to around where it originally was -- she was actually concerned that something in the wall unit of hers might break from the vibrations (like the collector's plates she has in there, etc.).
The only thing I could get from all of this is the following...for some reason, with the sub pointing into the actual corner, this didn't develop enough bass energy for my room, perhaps because there was a good deal of space between the ports in the back and the actual corner, based on how I katty-cornered it. Further, when I moved it back to being along the front wall, closer to the left main speaker, I did close the gap between the ports and the wall, so I am thinking the wall is creating the barrier in which the bass waves are hitting and then transferring to the rest of the room. I don't really have another explanation for any of this, especially given the fact that direct corner-loading is supposed to dramatically make bass louder and boomier -- the opposite happened in my room. There was like a "hole" during some of those heavy LFE scenes, and it was just bewildering to me...
Anyone care to take a crack at why placing the sub directly in the corner, FIRING INTO the actual corner, yielded less tactile slam in my room as compared to moving it out of the actual corner and along the front wall shared with my left front main?
This one's really a head-scratcher...