No Differences Between "Core" DTS and Lossless DTS-HD MA Stream?

  • Thread starter PearlcorderS701
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J

jostenmeat

Audioholic Spartan
That said, I am a bit concerned about your previous explanation into how the lossless codecs work; is it really true that the (in the case of DTS) core DTS track is already "laid down" while the lossless extension information is simply laid down on top of that? Is that really how it works?
To the best of my knowledge, without a technical grasp about how it truly works, yes.

DTS-MA is a dual-bitstream. This inherently is more complex, and I think this is why it was the last codec to be solved in the bluray player evolution during the last few years (as you well know).

Why make it so complex, as a dual bitstream? I thought it was clever, because people still get to enjoy improved audio even if they don't have an HDMI receiver. S/DPIF already gets them at least double the max bitrate with DTS 99% of the time (BD vs DD), or more than triple when comparing with DD on DVD. That's right, just plug in the bluray player where the DVD player used to be with their old equipment.

It is also nice because whether this DTSMA track is used by someone with old equipment, or someone with brand new state of the art equipment, neither one has to fiddle with the menu to choose codec. In fact, there doesn't even need to be a menu for this. The DTSMA works for everyone. (I personally get a little annoyed when a movie that contains TrueHD starts playing the movie w/o any menu, but is defaulted to lossy, while with DTSMA it's quite welcome when it just starts playing).

I will try and dig this up for you, but it was suggested to me via another thread on another forum; at any rate, this is probably just opinions folks have anyway, and not cemented facts.
It was probably a blind shot in the dark by someone who is completely unfamiliar with Onkyo receivers, and their implementation of technologies, both good and bad.

I'd like to ask, what speakers do you use for the front three?
 
P

PENG

Audioholic Slumlord
I have no idea why Mr. Morrison did not hear the difference between those codecs. I know I have hard time telling the difference between my Denon receiver, my Adcom and Bryston amp yet I have no trouble hearing the difference between the lossy and lossless codecs even if I use the lowly PS3. Again, I would not say the difference is huge but if I am allowed to choose the source material I would bet money on a blind tests knowing that my chance will be better than 50/50. Between amps, I would not bet unless it is a sighted tests.:D
 
AcuDefTechGuy

AcuDefTechGuy

Audioholic Jedi
I have no idea why Mr. Morrison did not hear the difference between those codecs. I know I have hard time telling the difference between my Denon receiver, my Adcom and Bryston amp yet I have no trouble hearing the difference between the lossy and lossless codecs even if I use the lowly PS3. Again, I would not say the difference is huge but if I am allowed to choose the source material I would bet money on a blind tests knowing that my chance will be better than 50/50. Between amps, I would not bet unless it is a sighted tests.:D
I think it differs from case to case.

I could tell the difference once when I had the PS3. I could easily tell the difference between DD vs TrueHD & PCM vs DD of the same movies.

But I can not tell the difference on my Denon BD player or HTPCs + Denon AVR.

So I guess it depends.
 
P

PENG

Audioholic Slumlord
I think it differs from case to case.

I could tell the difference once when I had the PS3. I could easily tell the difference between DD vs TrueHD & PCM vs DD of the same movies.

But I can not tell the difference on my Denon BD player or HTPCs + Denon AVR.

So I guess it depends.
Good point, I could hear the difference with my HD DVD players too. I haven't tried the Pio 320 and Samsung 2550 yet but I may try them this weekend.
 
J

jostenmeat

Audioholic Spartan
PENG & ADTG, if only to pick nits, you guys are referring to the categories of lossy and lossless, but the thread title and subject seem to be more specifically focused on DTS & MA.

I would think that DTS & MA will sound more closely similar, because by nature of design, the MA is no good without the core to begin with.

Now, mch PCM vs DD, or DTS-MA vs DD, or even TrueHD vs DD, seem to be different things. As I know PENG may remember, the biggest difference I discovered (albeit out of extremely limited experiments), was with The Dark Knight.

To reiterate, Core versus Core+Extension must sound similar to some certain extent.

Oh yes, to beat the dead horse, there is a smaller differential in bitrate between Core and Core+Extension than any of the other comparos listed above.

OTOH, DD vs TrueHD could be using a completely different mix?

Oh, I don't know. I better let other people help the OP at this point. I think I've shared everything I know about this subject for the time being.
 
P

PENG

Audioholic Slumlord
PENG & ADTG, if only to pick nits, you guys are referring to the categories of lossy and lossless, but the thread title and subject seem to be more specifically focused on DTS & MA.

I would think that DTS & MA will sound more closely similar, because by nature of design, the MA is no good without the core to begin with.

Now, mch PCM vs DD, or DTS-MA vs DD, or even TrueHD vs DD, seem to be different things. As I know PENG may remember, the biggest difference I discovered (albeit out of extremely limited experiments), was with The Dark Knight.

To reiterate, Core versus Core+Extension must sound similar to some certain extent.


Oh yes, to beat the dead horse, there is a smaller differential in bitrate between Core and Core+Extension than any of the other comparos listed above.

OTOH, DD vs TrueHD could be using a completely different mix?

Oh, I don't know. I better let other people help the OP at this point. I think I've shared everything I know about this subject for the time being.
That's another valid point, last time I did any serious comparison I was using Chris Botti in Boston so it was a comparison between DD and DTHD. I should emphasize one more time that while the difference are clearly audible, I still have to listen hard to locate the difference. If I listen to the music as a whole, I could have easily thought they sounded the same. I know this may sound contradictory but I am not going to spend more time looking for better words.

Anyway, I should also try comparing DTS and DTSHD-MA. I am really going to be busy this weekend. My Karajan memorial finally snailed into my mail box today!
 
P

PearlcorderS701

Banned
Thank you everyone so far.

To re-confirm, yes, the issue I am discussing here is regarding the core DTS stream of DTS-HD Master Audio titles and the differences, if any, between them and the actual lossless Master Audio versions of the same titles/discs.

Here's the situation, once more, in a nutshell:

My previous Blu-ray player, a first-generation Panasonic model, did not support DTS Master Audio at all. Instead, I had the player bitstream over the core DTS stream from these tracks, to my Onkyo 605. Now, I have recently acquired a new OPPO BDP-83, which bitstreams all the codecs via HDMI, so I am now sending the actual full lossless Master Audio tracks from these same discs over to the 605.

The issue has been that upon listening to the actual full lossless MA versions, the audio doesn't sound much different to me than the previously sampled core DTS tracks, and I am wondering if this is more normal than not. Should they sound very different from one another? Should it be a very subtle improvement at best? Should there be no difference, sonically, between the core DTS tracks on the Blu-rays and the lossless Master Audio versions?

If I'm still not clear about what I am looking for in terms of the thread's initial intention, please let me know.

Thank all of you, so far, for all your assistance. :)
 
P

PENG

Audioholic Slumlord
Thank you everyone so far.

To re-confirm, yes, the issue I am discussing here is regarding the core DTS stream of DTS-HD Master Audio titles and the differences, if any, between them and the actual lossless Master Audio versions of the same titles/discs.
Sorry, I am still not clear about what you are saying. DTS-HD MA is lossless, and the core DTS is lossy. Are you talking about differences between these two. At first I assume that's what you are asking but your second sentence confused me.

Should they sound very different from one another? Should it be a very subtle improvement at best? Should there be no difference, sonically, between the core DTS tracks on the Blu-rays and the lossless Master Audio versions?
To me the difference between the core and the MA is not very different but more than just 'very subtle'. I find the difference is obvious enough for probably anyone to detect as long as they pay attention to the differences. It is not obvious to the point that you can tell right away without really paying attention.

I did some serious comparison listening before coming to this conclusion using the PS3 slim but I am going to try another player and see if it makes any difference. It shouldn't, but I will soon find out.
 
M Code

M Code

Audioholic General
Hello, Audioholics.

First time poster here. Was wondering if someone could lend some insight into an issue I'm having regarding audible differences when it comes to the "core" DTS audio extracted from a Master Audio soundtrack and a true lossless extension. First, let me say what sparked my curiosity regarding this subject was this post I found by a member in the OPPO BDP-83 thread, in which he describes the behavior of his Onkyo receiver (my equipment is similar to his, but I'll get to that). I have highlighted my central concerns in bold:

I have a first-hand account of an instance where this isn't 100% true.

I own an Onkyo TX-SR705 and, depending on the sampling frequency, LPCM and bitstream TrueHD/DTS-HD are not all handled equally.

With LPCM, complete processing (bass management, room correction, DPL IIx, etc.) is applied to any signal that is up to an including 96 kHz sampling frequency. But if the LPCM is a 192 kHz sampling frequency signal, the 705 will not process it - it will only play it back exactly as it came in (with only the treble/bass "tone" controls available).

With a TrueHD bitstream, the 705 will completely process any signal up to an including a 48 kHz sampling frequency. But at 96 kHz, it will only play it back straight - no processing. And if it is a 192 kHz TrueHD bitstream, it will not play it at all!

With DTS-HD Master Audio, it will process up to 48 kHz signals. It will not process 96 kHz signals, but it will play them back straight. And it will play 192 kHz signals, but it will down sample them to 96 kHz in order to do so!

So with the Onkyo TX-SR705, everything is equal so long as the incoming signal is 48 kHz sampling frequency or less. But if I want to listen to a 96 kHz signal, I'm best off with a LPCM signal coming from the player as the 705 can fully process a 96 kHz LPCM signal, but cannot process TrueHD or DTS-HD MA at that high of a sampling frequency.

I do not know for certain, but my educated guess is that the 705 basically has limited processing power. When it is receiving a TrueHD/DTS-HD bistream, some of its processing power is "taken up" and used to decode the bitstream, leaving less processing power "left over" for things like bass management, room correction, DPL IIx, etc. With a LPCM signal, it doesn't have to "spend" any processor power on the decoding itself, so it is able to fully process a higher sampling frequency.


So that's a long explanation, but it's a first-hand account of an instance where a respectable receiver handles multi-channel LPCM slightly differently from TrueHD/DTS-HD bitstream. The "weird" thing though is that, in the case of my 705, having the player send LPCM actually holds the advantage!


The example I've seen the most of bitstream sounding better than LPCM is when people are comparing bitstream TrueHD/DTS-HD from a stand-alone player vs. the LPCM output from the PS3. I've seen several people claiming that a stand-alone player sending bitstream sounds noticably clearer and more detailed than the PS3's LPCM output.

Now, one theory of mine is that those people haven't properly configured the audio output of the PS3. If you just go into the PS3's Sound Menu, select HDMI for the audio output and then have it automatically configure the audio output, it doesn't always automatically select all of the various multi-channel LPCM output modes that are supported. Some people may also be mistakenly leaving the HDMI audio output setting under the BD/DVD menu to "bitstream" - limiting them to regular DD/DTS output or only 2-channel LPCM. And then, there are all the check boxes if you setup the Sound menu manually. Basically, there are just many possible ways to misconfigure the PS3's audio output, so it wouldn't surprise me if that were the cause of the "lower quality" audio in many cases.

So maybe the best test would be for Gene to compare the BDP-83's audio quality to the PS3's!

That's probably the biggest question out there and the one that is really on my mind. Set up a PS3 properly, have it do the decoding and output the multi-channel LPCM and compare its sound quality to the BDP-83's bitstream and also the BDP-83's decoded LPCM output. If the PS3 really is limiting the audio quality somehow, it should be rather obvious.



Now, alot of this doesn't relate to my equipment because I don't have a PS3 -- what I do have is a new OPPO BDP-83 connected via HDMI to an Onkyo 605, which decodes Master Audio and TrueHD. The problem is, on the last player I was using, I didn't have MA access, nor did the player bitstream TrueHD. When I played discs with MA soundtracks, the player extracted the core DTS signal and bitstreamed these over to the 605. Since playing the same titles on the OPPO, which now bitstreams TrueHD and Master Audio (confirmed by my 605's display, which reads "DTS-HD MSTR" or "Dolby TrueHD"), it seems I cannot hear any sonic differences between the core DTS signals and the fully lossless ones. Are there supposed to be big differences with the lossless tracks versus the core lossy versions, or are they more subtle, if anything?

The connection I made to the above member's post is that I am beginning to wonder if my 605 is doing what he believes his Onkyo is doing, that is not processing Master Audio or TrueHD tracks at full resolution, and that is why I am not hearing sonic improvements with the lossless bitstreams? It was suggested to me that because of a "bug" the 605 series had in early runs, it is possible that my 605 is simply decoding the standard core DTS from these MA tracks, still, even though the display is reading "DTS-HD MSTR", and that is why I don't hear a difference. Furthermore, I am getting the issue the member describes regarding the TrueHD at 192 not bitstreaming over -- the same thing happens with certain TrueHD tracks bitstreamed from the BDP-83, where they simply won't play back on my 605.

Can anyone weigh in on the lossless/core dilemma? Are the audible differences supposed to be very apparent when going from the core stream to the lossless Master Audio tracks, or should they indeed sound about the same? Should I be concerned that my 605 is doing what this other member's AVR is doing, that being perhaps not processing these signals at the correct frequency?

Thanks in advance. :)
The Onkyo 705 uses (2) TI DA708s and you are out of DSP processing resources. DTS Master Audio puts very significant demands on the DSP and if the stream is 7.1 and 96kHz or 192kHz this makes matters worst. Also if Audyssey is ON, bass manager and any other post-processing modes these takes MIPs away..

Just my $0.01.. ;)
 
J

jostenmeat

Audioholic Spartan
The Onkyo 705 uses (2) TI DA708s and you are out of DSP processing resources. DTS Master Audio puts very significant demands on the DSP and if the stream is 7.1 and 96kHz or 192kHz this makes matters worst. Also if Audyssey is ON, bass manager and any other post-processing modes these takes MIPs away..

Just my $0.01.. ;)
What does MIP stand for? Thanks.

http://acronyms.thefreedictionary.com/MIP

Do you have any thoughts or knowledge about the 805 in regards to what it is you are talking about? Thanks.

I will pay you 2 cents for your time. :D
 
P

PearlcorderS701

Banned
Sorry, I am still not clear about what you are saying. DTS-HD MA is lossless, and the core DTS is lossy. Are you talking about differences between these two. At first I assume that's what you are asking but your second sentence confused me.
Yes, I am talking about the differences between the two. And yes, I know the MA is lossless and the core DTS is lossy; I am not sure where I confused anyone.

I am specifically referring to core DTS streams of the DTS-MA tracks on the same Blu-ray titles...with my previous player, I was only able to access the core DTS signals of the DTS-HD MA tracks, and now I have full access to the lossless MA versions; I am not hearing any differences between them, is what I am saying.

To me the difference between the core and the MA is not very different but more than just 'very subtle'. I find the difference is obvious enough for probably anyone to detect as long as they pay attention to the differences. It is not obvious to the point that you can tell right away without really paying attention.
This is more in line with what I was trying to find out...
 
P

PearlcorderS701

Banned
The Onkyo 705 uses (2) TI DA708s and you are out of DSP processing resources. DTS Master Audio puts very significant demands on the DSP and if the stream is 7.1 and 96kHz or 192kHz this makes matters worst. Also if Audyssey is ON, bass manager and any other post-processing modes these takes MIPs away..

Just my $0.01.. ;)
Yes, if anyone can decipher what this statement means, I would appreciate an analysis because it concerns me.
 
P

PENG

Audioholic Slumlord
Yes, I am talking about the differences between the two. And yes, I know the MA is lossless and the core DTS is lossy; I am not sure where I confused anyone.
I guess I was tired that day.:) Thanks for re-reconfirming your question. I was actually wrong, again, in my response. Like you, I was sceptical people's claim of hearing 'huge', (or similar adjectives) improvements going to lossless. I know it wasn't entirely due to my system components being inferior as some of those who claimed hearing the difference did not seem be be better than mine. I really believe there is nothing wrong with your system. The differences are so small you have to listen very hard to notice them and even then, it still depends on the titles as in some cases I found it impossible to tell them apart.

That being said, perhaps those who own $50,000 systems in a properly designed HT room would benefit from the MA codec more. Not that our mid range systems are defective, but may be they are in fact the limiting factor. If not, then our hearing sense is the limiting factor.
 
J

jostenmeat

Audioholic Spartan
Yes, if anyone can decipher what this statement means, I would appreciate an analysis because it concerns me.
I'll give it a shot, but mind you I may be getting thing wrong here. I believe he is implying the following:

Your receiver has a finite amount of processing power. The DSP chips being used, made by Texas Instruments I presume, are already out of processing power quickly, and if I take his last post literally, you are already OUT of processing power to make any improvements with the MA stream.

If you're already out of processing power, I am not sure how the extra processing demands of 92/196khz, Audyssey and/or other post-processing can actually make it "worse than out", but maybe it does somehow, and that is what he said I guess.

That's why I'm curious what is being used in my own receiver, the 805. I ran search functions of both the DSP chip he named in an owner's thread, and when that failed to bring anything up, I simply used TI, but that basically only brought up DACs.
 
P

PearlcorderS701

Banned
I guess I was tired that day.:) Thanks for re-reconfirming your question. I was actually wrong, again, in my response. Like you, I was sceptical people's claim of hearing 'huge', (or similar adjectives) improvements going to lossless. I know it wasn't entirely due to my system components being inferior as some of those who claimed hearing the difference did not seem be be better than mine. I really believe there is nothing wrong with your system. The differences are so small you have to listen very hard to notice them and even then, it still depends on the titles as in some cases I found it impossible to tell them apart.

That being said, perhaps those who own $50,000 systems in a properly designed HT room would benefit from the MA codec more. Not that our mid range systems are defective, but may be they are in fact the limiting factor. If not, then our hearing sense is the limiting factor.
Thank you very much for your thoughts here, PENG. :)

I too began to think that it was because average joes like me who couldn't do $50K home theaters with beyond-reproach processors and speakers were simply missing out on the benefits of the new lossless codecs; then, I began to wonder why companies like Onkyo would sell receivers at the $500 price point which include onboard decoding of these codecs when perhaps there is something "going missing" with gear priced at this level...what would be the point? I still ponder this, but I am hoping it's more along the lines of what you say above in the second paragraph, in that perhaps it's our hearing sense that is allowing the core DTS audio and the lossless versions to sound so similar.
 
P

PearlcorderS701

Banned
I'll give it a shot, but mind you I may be getting thing wrong here. I believe he is implying the following:

Your receiver has a finite amount of processing power. The DSP chips being used, made by Texas Instruments I presume, are already out of processing power quickly, and if I take his last post literally, you are already OUT of processing power to make any improvements with the MA stream.

If you're already out of processing power, I am not sure how the extra processing demands of 92/196khz, Audyssey and/or other post-processing can actually make it "worse than out", but maybe it does somehow, and that is what he said I guess.

That's why I'm curious what is being used in my own receiver, the 805. I ran search functions of both the DSP chip he named in an owner's thread, and when that failed to bring anything up, I simply used TI, but that basically only brought up DACs.
Thanks for taking a shot at this, 'josten; it concerns me, as I believe this may in fact be happening with my 605 -- it is related to what PENG and I were discussing in the posts above. If my receiver's processing power isn't powerful enough to fully harness the benefits of the lossless decoding, I would have to upgrade, and it's something I really didn't budget for in the least sense of the term right now. When I purchased the Onkyo 605, I had planned on keeping it for awhile at least (or until HDMI 1.3 became obsolete :rolleyes:) and I actually purchased it for the reason all other 605 owners purchased theirs -- lossless decoding for a ridiculously short amount of cash.

But now if the processing power inside these AVRs isn't "enough" to fully decode the lossless streams, this concerns me. Perhaps we aren't hearing what we are supposed to be hearing when TrueHD and Master Audio are bitstreamed over to our AVRs...I'd like to delve deeper into this with Onkyo and other knowledgeable members when there's some free time.

Again, thanks for your thoughts.
 
anamorphic96

anamorphic96

Audioholic General
Thanks for taking a shot at this, 'josten; it concerns me, as I believe this may in fact be happening with my 605 -- it is related to what PENG and I were discussing in the posts above. If my receiver's processing power isn't powerful enough to fully harness the benefits of the lossless decoding, I would have to upgrade, and it's something I really didn't budget for in the least sense of the term right now. When I purchased the Onkyo 605, I had planned on keeping it for awhile at least (or until HDMI 1.3 became obsolete :rolleyes:) and I actually purchased it for the reason all other 605 owners purchased theirs -- lossless decoding for a ridiculously short amount of cash.

But now if the processing power inside these AVRs isn't "enough" to fully decode the lossless streams, this concerns me. Perhaps we aren't hearing what we are supposed to be hearing when TrueHD and Master Audio are bitstreamed over to our AVRs...I'd like to delve deeper into this with Onkyo and other knowledgeable members when there's some free time.

Again, thanks for your thoughts.
Actually the Onkyo 605 is fully capable of decoding the new HD formats. The thing your noticing is the differences are not that big between the lossless and lossy formats. This was noted in the HE article with both formats.

Another thing to point out is in the DTS demonstration they used a generic run of the mill Denon 2808 receiver to do the decoding. Which retails for around 7 to 900 dollars. Your Onkyo is plenty capable of decoding the HD formats. The only problem that most of these receivers run into is when they are presented with 192khz content and Audyssey turned on they run out of processing power. So the receiver shuts off the Audyssey EQ and continues running the content at 192khz.
 
Last edited:
P

PearlcorderS701

Banned
Actually the Onkyo 605 is fully capable of decoding the new HD formats. The thing your noticing is the differences are not that big between the lossless and lossy formats. This was noted in the HE article with both formats.

Another thing to point out is in the DTS demonstration they used a generic run of the mill Denon 2808 receiver to do the decoding. Which retails for around 7 to 900 dollars. Your Onkyo is plenty capable of decoding the HD formats. The only problem that most of these receivers run into is when they are presented with 192khz content and Audyssey turned on they run out of processing power. So the receiver shuts off the Audyssey EQ and continues running the content at 192khz.
But my Onkyo 605 retails for less than what that Denon 2808 prices out at; plus, I am not running Audyssey at all on my 605 -- I am running manual adjustments and trim levels. Does this still apply then?

So, you're saying that it's not so much the processor not being able to fully squeeze the decoding out of the soundtracks (lossless) it's more when Audyssey etc. systems are "overloaded" so to speak?

Can it be confirmed that units such as the 605 are actually powerful enough, processor-wise, to fully decode and process the lossless bitstream signals from TrueHD and DTS-MA sources?
 

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