Review: SVS PB10-NSD Subwoofer

B

Bluesmoke

Audioholic Chief


It's been a long journey with lots of help along the way from forumites of various races, culture, and creed to sway me to my decision to purchase the SVS PB10 NSD. It's one of the most popular subwoofers in the Home Theater circle and for good reason: Price to performance ratio, there are few challengers.

So what makes it so good? Let's take a look at the specs:

-Proprietary, SVS long-throw 10" NSD woofer
-300 watt BASH digital switching amp
-CAD cabinet with CNC brace and 1" front baffle
-Front-firing design with flush fit woofer and vent
-Patented 3" ID, wide-flare port fittings
-Six removable, compliant floor isolation points
-Extra heavy-duty, removable 8 foot power cord
-Contemporary, "seamless" cabinet styling
+/- 3dB from 20-100 Hz anechoic (in room extension will be 2-5 Hz deeper)
-Size: 15" wide x 19" high x 21" deep
-Weight: 60 pounds

It is essentially a 10" woofer residing in the body of a 12" sub. Or to use an automotive analogy: It's like throwing in a puny 2.0 4cylinder engine into a Boss Mustang or Cuda.

But... what if that sucker was supercharged to compete against V8 monster engines? Wouldn't that be something!? Well, people do it all the time, with a little bit of elbow grease. Lucky for us, the good people at SVS did the same with the PB10. It's a hybrid monster of a sub that looks plain jane actually, with its boxy exterior and simplified rear panel, which consists of only the sub input, the master gain and phase control alongside the auto/on toggle switch. A bright Red LED turns Green when the sub goes into its HULK Smash mode.





The PB10 NSD's ability to go deep into the 18hz range - FLAT - with plenty of output at $429US and $499CAN is a remarkable achievement indeed. And this is precisely why the PB10 has been one of the most recommended subs out there for most situations.

Now let's get to my situation. My room is an upstairs bedroom that is 12x14 feet with 8 feet ceiling for half the room and 11 foot ceiling for the rest. It's not the most ideal room - and I wasn't certain that the PB10 would be up to the task. I was drifting between the PB10 and the PB12. Eventually, I decided that the PB10 should be enough for such a small room, despite the oddities of the room itself. Afterall, I've read countless posts from PB10 owners being completely satisfied with the performance in rooms that are more than twice as big as mine.

So how did the PB10 NSD do when I unboxed it and fired it up?

Buckle up!!!





It's very well packed! Great job by SVS on this one. It was double boxed with foam at each corner and spine. The goodies include the power cord and a ziplock bag with the manual, SVS pen, and a couple fuses. The manual itself is very informative, and goes in-depth into setting up the subwoofer - moreso than any manufacturer manual I've seen. It gives the reader the impression that SVS really wants you - the owner - to experience the most from this piece of gear.

However, to do some of the advanced calibrations listed, one requires the use of a Sound Pressure Level Meter (SPL for short) - something I don't own, but plan to get eventually. Let's get this out of the way first, I'm a home theater enthusiast not an afficionado; thus, I represent the majority of the PB10 target audience, who are not "Experts" in the field of calibration.





At this point you're thinking "blah blah... get to the goods already!!!. Ok fine. But...Don't you think Pandas are just some of the cutest animals ever? I mean look at those black circles around the eyes...



Reminds me of myself after sitting through a marathon of The Lord of the Rings: Extended Edition Trilogy, back-to-back.



So let's start there. We all know the scenes from Fellowship of the Ring:

- Sauron's finger cut/ring drop
- Sauron exploding
- Bucket down the well (in Balin's Tomb)

Simply stunning! One of the best DTS tracks on DVD has some of the most chest pounding, low bass scenes around. Brilliantly mixed and the LFE just flows. It's always there in LOTR, and in the opening few chapters, it's a feast for the eyes, ears and arteries....

As you can see, my setup is aimed at maximum Tactile impact due to the placement of the PB10 in accordance with my HT couch. There is a 6inch clearance that gives the sub enough room to breathe while sending each LFE pulse right through the wood and fabric of the couch.

When the ring is cut, it's such an amazing LFE moment as it continuously transitions from low bass to impacting bass (30hz+) then into nothing... The PB10 delivered it clean - with no hickups.

The bucket scene is regarded as a real test of subs. The instance where the camera pans over the dark stony walls of Moria, the bass is really low there. My door started creaking. No problems. It sounded great!





Next up, my Go-To scene for Bass: The Queen's Ship landing sequence in Star Wars: Episode 2, Attack of the Clones.

There are varying levels of bass here around the 1:50 - 3:30 into the movie. All of it deep and really satisfying to "feel" since you can't hear much of it. My favourite is the ship about to land. My body felt like it was being tazered from the relentless low bass attack during this scene. Just a fantastic scene, and I was pleased to finally experience it the way it was meant to be.





Now to everyone's favourite: The relentless pounding of War of the Worlds. Love him or hate him, Spielberg's movies always sound good and gets excellent DTS tracks with great separations. The Pods emergence sequence is one of the longest and bass heavy scenes ever put to film.

With the PB10, the result is damn near Catastrophic! I was literally squeezing the armrests of my couch as I experienced the whole scene. My walls felt like they were going to come down. I think my vision was also blurring. My media rack was vibrating non-stop! It was an experience, to be sure! The Death Ray blasts were super fun! I don't remember them being so "shocking" but they were. Great tactile effects here! I can't wait to hear this on Blu-ray with a DTS MA track. I can't imagine how much better it would sound! If I had any concerns about lacking power with a 10" woofer and 300w amp, I wasn't anymore. Even at just past 1/2 gain, the PB10 is VERY LOUD!
 
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B

Bluesmoke

Audioholic Chief


Onto some music. Trance artist, ATB's Trilogy album is one of my all-time favourites. The quality of the recording itself is among the best I've heard, and it has nice, long bass passages that envelopes the listener. Some great, slow bass pulses that blend with my Energy RC30 towers. I wanted to use this CD as a tool to gauge how well the PB10 could transition between the 80hz+ of my towers. I was really pleased. No boominess and just clean, and clear bass, the way I always wanted.

As far as testing the accuracy of the PB10, I pulled out one of my favourite Rock/metal albums: 10,000 Days by Tool.



The first track, "Vicarious" is loaded with chest pounding bass with machine gun-like pulsing. The PB10 was damn accurate and brought a smile to my face. Phased at 90, it was dead on with my towers. I really wanted to turn it up even louder to see if the PB10 could distort, but I was already at -10 on my Receiver and it was excruciatingly loud in that room. A really cool, live-like experience for sure!




Now, let's get to the real good stuff! DTS and Dolby are great, but the clarity of uncompressed/lossless bass is something else entirely.

James Bond's Latest Casino Royale on Blu-ray is one of those great PCM tracks that does everything right. It has the perfect blend of the "quiet" and... the "loud." Whether it's whirring bass of the plane entering Bahamas, or the rip-roaring, sounds of vehicles on the path of destruction, the soundtrack is very lively with just the right doses of bass. I really liked how the bass is incorporated into this flick - it's almost always there but in small doses during the poker games. This Blu-ray served to highlight how well the PB10 incorporated itself within my whole Energy RC system. A real pleasure to listen to, particularly some of the quieter moments.




In terms of pure visceral bass, there are few that can compete with Live Free or Die Hard. If you have not seen the latest Die Hard flick, it is basically a Bass-a-thon, all movie long. The DTS Master Audio track is one of the loudest, meanest, non-stop good vibrations! It's hard to pick a scene as they all pound you into oblivion with Bass. The Jet scene on the bridge in particular is the Blu-ray equivalent of the Pod Emergence scene from WOTW. Lots of low and chest pounding bass there. The PB10 took it all and I just kept asking for more.

So I gave it more. The DTS MA equivalent of the Queen's ship from Star Wars is the Plane Crash sequence in Flight of the Phoenix. A surprisingly good movie with Hugh Laurie (who doesn't like him?), and a WAD of bass destroying the allignment of your spine, during the crash scene.

There's a particular instance when the plane is rotating and the bass just keeps up with more intensity that just puts the viewer in the moment. Just stunning! Really enjoyed that!!

Well, that about does it. In conclusion, the SVS PB10 NSD is the RIGHT subwoofer for me. It does everything I wanted it to do. I would rate it higher for movies than music but it was quite good on both fronts. Moreso, I'm relieved that my subwoofer quest is over - at least for the near future. At the price SVS commands it's a steal especially considering what some of the competitors sell their similar performing subs for. If you're looking for a sub in a small to medium sized room, the PB10 warrants a serious consideration. Thanks for reading and happy HT-ing (is that even a word?).

 
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mike c

mike c

Audioholic Warlord
so ... do you like the PB10? i didn't get it from your reviews (very detailed btw, i'm amazed what you can do in a few days) do i have to read between the lines?

;)
 
Adam

Adam

Audioholic Jedi
Blue, that was an excellent write-up. Great description of the performance in combination with well-placed photos and knee-slapping humor. Good show!
 
billy p

billy p

Audioholic Ninja
Wow

excellent write up buddy! It would appear you saved me some work.:)
Great job, Bill:)
 
mazersteven

mazersteven

Audioholic Warlord
Thank You for taking the time, and sharing your experience, and thoughts with us. :D
 
B

Bluesmoke

Audioholic Chief


Just a small update and comparison to my Velodyne DPS12 sub. As you can see, the PB10 is bigger. The velodyne's top coat of piano black is clearly prettier, but I love the flat top of the PB10, so I could place things on it if I wanted to. It's actually much nicer looking that most give it credit for. It looks like a sub should. Not too big and not too small. And also, I enjoy having an actual volume knob.

There are two things the DPS12 does better than the PB10:

1. Auto-on is more accurate. Crossed at 80hz, the Velo recognizes bass signals faster. I've seen the PB10 turn on only when there's a substantial bass output from the receiver. I've noticed this about other SVS subs as well.

2. The Velo generates more distortion and has spikes, so for nearfield placement, it generates more tactile effects. However, the vibrations are not as detailed as the PB10's. The PB10 sounds damn flat below the crossover point. This is one sub that doesn't need much EQing in my room, which is a huge relief.

In terms of power, the PB10 is MUCH more powerful. The DPS12 gets bloaty once you start cranking up the volume and there seems to be more "colour" to the bass itself and easy to place where the sub is. Whereas, the PB10 lends a clean, "colourless" bass output that blends well with the system.
 
billy p

billy p

Audioholic Ninja
Consdiering that velo is a 12" it shows to what extremes the svs designs team must go to:D. Just before I bought mine I checked out the PSB subsonic 6i and althought it sounded very good it sold for more money and weighted about 20 lbs less:eek:. Needless to say IMO less is not good when your talking about subwoofers.:D
 
Midcow2

Midcow2

Banned
So what do you think?

OP said "It is essentially a 10" woofer residing in the body of a 12" sub. Or to use an automotive analogy: It's like throwing in a puny 2.0 4cylinder engine into a Boss Mustang or Cuda"

More like the SVT version Eh ? turbod, blue-printed, tuned and supercharged?? :rolleyes:

Very nice write-up :):) the SVS series of subs is my favorite ;)
 
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croseiv

croseiv

Audioholic Samurai
It's interesting what you say about the Velo getting bloaty at high volume. I've noticed my Ultra never seems bloaty even at very loud levels. SVS puts alot of effort in to optimizing the driver/box combo it seems. It still boggles my mind that the Ultra's driver weighs in at nearly 60 lbs itself.
 
B

Bluesmoke

Audioholic Chief
It's interesting what you say about the Velo getting bloaty at high volume. I've noticed my Ultra never seems bloaty even at very loud levels. SVS puts alot of effort in to optimizing the driver/box combo it seems. It still boggles my mind that the Ultra's driver weighs in at nearly 60 lbs itself.
I can't believe this 10" sub of mine nearly broke my back trying to get it up the stairs by myself. It weighs 60lbs. I'm trying to think of another 10" sub that weighs 60lbs. I gotta say, LURVE the build quality here. Very solid.

100% satisfied. And the only other piece of equipment I can say that about is my center channel.

I can't fathom what I'd do if SVS ever released a PB10 Ultra for those of us who don't want monster sized subs.
 
billy p

billy p

Audioholic Ninja
I can't believe this 10" sub of mine nearly broke my back trying to get it up the stairs by myself. It weighs 60lbs. I'm trying to think of another 10" sub that weighs 60lbs. I gotta say, LURVE the build quality here. Very solid.

100% satisfied. And the only other piece of equipment I can say that about is my center channel.

I can't fathom what I'd do if SVS ever released a PB10 Ultra for those of us who don't want monster sized subs.
Well JL did design the f110:D. Did you ever consider going with LCR's across the front.
 
B

Bluesmoke

Audioholic Chief
Well JL did design the f110:D. Did you ever consider going with LCR's across the front.
Nah! I love my RC30s. Great towers. The LCR isn't that great of L and R. It's a genuine center channel - and that's what it excells at even though it's possible to use it as a LR.
 
Sheep

Sheep

Audioholic Warlord
No offense, but you need to rewrite this review, you know, when the excitement has worn off. A picture every 3 sentences really chops it up, and the read is way to subjective.

SheepStar
 
B

Bluesmoke

Audioholic Chief
No offense, but you need to rewrite this review, you know, when the excitement has worn off. A picture every 3 sentences really chops it up, and the read is way to subjective.

SheepStar
Maybe it is subjective, but I've gone through 6 subwoofers to know the difference between what the PB10 does and what it doesn't - including how it fares against the ones I owned in the past. If I could have it all, I'd have the output and ground shaking power of the Velodyne 5000R with the depth of the 20-39PC+ in 16hz mode. However, for the price I paid, it exceeded my expectations in its abilities. I stand by every word ... and pictures I put up. It wasn't meant to be a typical review, but something fun I threw up within 2 days. I am just as impressed as I was a week ago.
 
croseiv

croseiv

Audioholic Samurai
I am just as impressed as I was a week ago.
Glad to hear it! I'm just as impressed with my Ultra (maybe even moreso) as when I first got it. It took a little dialing in to get it sounding great.:)
 
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