I would think that a design like that would incite cabinet resonance more so than the more conventional designs. What advantages would this design have over a sealed or convential ported system?
Cabinet resonance is not a big issue in my speaker, as there are four separate cavities in the speaker, which gets you off to a good start.
At the time there was a lot of buzz about this form of loading, and a lot of interest in Isobarik loading. There were a lot of articles in speaker builder at the time. Linn acoustics have a patent on Isobarik loading, so you have to pay them a fee to do it commercially. Ivor Tiefenbrun the inventor was widely extolling the advantages back then.
Now the advantage of the coupled cavity is to get a low F3 in a pretty small space. Both these enclosures are what is called a second order coupled cavity bass system. Even though this alignment is ported it rolls off at 12 db at both ends of the band pass. Now the isobarik addition halves the volume.
Now the F3 of my speakers is 27 Hz second order roll off on the bottom end and 90 Hz on the top end. Think of coupled cavity bass systems as band pass devices. Now the bass mids have acoustic roll off at 90 Hz second order, so you have an acoustic second order roll off.
The low pass crossover just cuts of the bass drovers above acoustic roll off to prevent HF getting radiated from the port.
OK, no free lunch is there? The idea was to prevent the huge time problems of low frequency crossovers, the problem is coupled cavity designs have significant phase and time delay problems of their own. THD is also higher than for conventional loading. In my view the second order coupled cavity designs are the only ones close to acceptable for Hi Fi use. The second and fourth order alignments, a la Bose, I find unacceptable.
Now the next problem is the isobarilk loading takes a lot of amp power. You are getting the same performance as one driver but powering two. The enclosure volume is halved because VAS is halved. Bottom line to make my design perform properly you need a pretty beefy high current amp to drive the bass system at higher listening levels.
So it was an interesting experiment, and I did use the speakers for monitoring in some live recording sessions, but I haven't been tempted to do this design again.