And if you want the absolute lowest noise and distortion possible, stick to all pro gear apparently. Maybe this:
https://spl.audio/?lang=en
I have one or this monitor controllers and have been eyeing the Phonitor 2 just because
https://spl.audio/studio/phonitor-2/?lang=en
I had a chance to play with some of their gear. It’s really well made and the most technically perfect gear I know of. Like even maybe a slight step over Benchmark.
This is one of those obsessions I have that I rationally know makes no sense but can’t stop myself. I want to own a system where it is technically capable of reproducing as close to 24 bits as possible. So the room, speakers, amplifiers, DACs, etc all have to be up to it. Obviously room noise and speaker output would be the main limiting factor (including that you wouldn’t want to listen that loud). I just want the ability to accurately reproduce realistic sound from a dynamics stand point.
That’s why I worked so hard to soundproof and isolate my theater. It’s noise floor is around 10dB-15dB, and at this point my measurement equipment is limiting me from getting an exact figure. My speakers are capable of exceeding 120dB, which is a number I only know because Of those sound transmission loss sweeps I did and posted about.
But none of the rest of my gear is even in the ballpark. Even with my projector off and all equipment shut in the closet, you can hear the noise of the system. It’s very low level, nothing anyone would care about. But still, wouldn’t it be cool to have a dac and amplifier that render my noisefloor silent and be capable of reproducing more of the real world dynamic range. Sure i would have to start mixing all my own music to appreciate it, but the coolness factor is real.