Thanks TLS. This situation sucks indeed.
Yes that cost is high. Thanks for looking up that driver. Madisound have offered to run some calculations once I supply the internal cabinet volume. So I will get them those and see what they come up with. It may well be this driver.
Im also looking into a recone kit that would fit. The measurements of the cone, spider, VC all seem fairly standard (ie: not unusual) however of course the specs of the driver will be different after a recone, however it may be the best option that I have in this case.
I certainly dont have the appetite to do a total cabinet rebuild however your suggestion doesnt sound bad. I was going to end up biamping whatever option I end up with for these, plus using an EQ in line with the bass section as a substitute KUBE as well.
I should have stressed more that this is not like a usual enclosure. I have designed and built coupled cavity enclosures.
The alignment is very critical. You must remember there is no cone radiation directly to the room. There is a little of course via the port, but that is unwanted and steps are taken to keep that to the minimum.
So what this means is that the entire output is from the port with the enclosure resonating correctly. If the alignment is not spot on then the enclosure will not output from the port, so you get virtually no sound at all.
With other types of enclosure you at least get output from the cone whether perfect or not. In this type of enclosure you risk no useful output at all.
Personally I'm pessimistic about the success of this project, unless I could get a good model indicating a reasonable chance of success.
I will be happy to review any data Madisound produce and also run a model.
The coupled cavity has largely been a passing vogue except for Bose. Not that you can't get some good results, but the concept has draw backs. The attraction is that you get a ported enclosure you can Eq to a point, because one side of the driver faces a sealed cavity. So a driver can never completely uncouple from the box. However Eq below the Fs of the driver and for those original drivers 40 Hz distortion becomes very high. I did not Eq my designs below Fs like KEF.
Other draw backs are that efficiency is not that good which is why you need high sensitivity drivers. (That is the reason the drivers have severe thermal damage) It does give you control over Q to a point. However to get a nice low Q system you have to have narrow bandwidth. If you widen bandwidth then Q rises and reproduction becomes increasingly colored.
The bandwidth of those KEFs was high, like Bose, which leads to an over resonant bass for my taste.
The three enclosures I designed all have lower Q and a much narrower bandwidth. That of course mandates biamping.
If you recone those drivers, you will have totally different drivers, and you won't know what you have until you measure them. The chance of that plan working is probably less then winning the lottery!