I totally agree with you on all of that, FWIW.
However, there are a couple of scenarios where - provided the individual already has power amps (or powered speakers) with balanced inputs - I'd easily recommend a pre-pro for it's balanced (XLR) outputs:
- Where long cable runs or other electrical factors warrant the noise rejection capability of a balanced connection.
- Where the input sensitivity of the power amp is high enough to require the higher pre-out voltage of balanced outputs (typically double that of unbalanced) to comfortably (ie. with headroom) drive the amp to full power.
I can see no inherent advantages in a pre-pro with only unbalanced (RCA) connections over an AVR
used as pre-pro.
Or exactly the same? Has anyone taken the cover off a Lexicon pre-pro lately?
That, and the big omission (for me at least) by D|M Pro with the DN-500AV is the complete lack of an automated speaker/sub setup routine, including... NO BLOODY AUDYSSEY!!!