It's insanely frustrating to me that we can't just have the minimum spec be identical to the way over 90% of all films ever made have been digitally archived and remastered.
1) 4096 x 2160 resolution
Why is 3840 x 2160 even a thing? Was it so critical to avoid tiny vertical black bars on either side of upscaled 1920 x 1080 content that it's worth having to either crop or rescale every single movie? I would much, MUCH rather have 128 columns of black pixels on either side of upscaled 1920 x 1080 content than what we're going to get, which is every single movie either being cropped or rescaled from its pristine 4096 x 2160 archival form to fit into this completely unnecessary "consumer" format of 16 x 9 aspect ratio.
2) DCI P3 colour gamut
Thankfully, the UHD alliance for streaming and download content seems to be on board with setting this as the bare minimum for all UHD content. But the UltraHD Blu-ray spec? Sure, the players are mandated to support up to Rec. 2020 colour, but the content itself has no mandated colour space. It could still be Rec. 709.
Given that there are no displays capable of showing the entire Rec. 2020 gamut, but there are several that can display the entire P3 gamut - and given that essentially every movie ever is in the P3 colour gamut - why in the holy heck is this not just stated outright as being the mandatory minimum colour space for all UHD content?
If they want to leave Rec. 2020 there for future content, fine - I have no problem with that. Let's be "future proof" on the colour gamut front right from the start. That's a good idea. But for the love of Pete I don't want it to be even possible to release something in 4K and have it still using Rec. 709. DCI P3 minimum. Just mandate it.
3) 4:2:2 chroma sub-sampling
Every movie that has been digitally archived? It's been done with 4:2:2 chroma sub-sampling. Mandate that the UHD Blu-ray players must be able to send out full 4:4:4 signals. But mandate that the content can have nothing less than 4:2:2.
Again, almost every film ever made already exists in this state! They exist in digital archive format in 4096 x 2160 resolution using the P3 colour gamut and 4:2:2 chroma sub-sampling. If we want to leave the door open for even wider colour gamuts and 4:4:4 signals, great! By all means leave that door open and mandate that from day one, the players will be able to output those signals. But the content - mandate some darn minimums for the content!
4) 10-bit colour
I think it should be mandated from day one that the players be able to output up to 16-bit colour, but the content - again, all those archival digital version are already stored using 10-bit colour. There should never, ever be any 8-bit UHD content.
Honestly, that's it for my complaining. Essentially no movies have been archived in High Dynamic Range. That's a new thing that might be used moving forward, and perhaps some existing films will be re-graded in HDR form. No problem. I don't need the minimum to be set at anything higher than the 100 nit peak brightness that was used for virtually every film made up to this point.
Similarly, almost every movie up to this point was shot at 24fps. I certainly don't need the minimum for content mandated to be higher than that.
So basically, I just want all those archival digital versions and remastered films to be left alone! Don't crop or rescale them, don't change their colour gamut, and don't chroma sub-sample them at a lower rate! Just give me the darn archival versions!
But we won't get them. 3840 is already set. 8-bit is already all over the place because all of these so-called "4K" streaming services use 8-bit and so do virtually all of the "4K" TVs on the market. 4:2:0 chroma sub-sampling looks like it's here to stay because it saves on bandwidth. And since none of the TV manufacturers can agree to just accurately hit P3 and leave it at that, we're probably going to get a bunch of Rec. 709 content. Scratch that, we already are! Again, all the so-called "4K" streaming content is actually just HD, but with more pixels.
What a stupid, frustrating mess that could all be so easily avoided if the movie and TV industries would just stop their moronic efforts to always delineate themselves from one another. One standard, one set of minimums, that's all I want. And when 90% of everything ever made already exists as 4096 x 2160 using the P3 colour gamut with 4:2:2 chroma sub-sampling and 10-bit colour? Why in all of God's green goodness is that not just instantly chosen as the bare minimum mandated for all UHD content?