Ah, I missed the link to the mini dsp. I have looked into that and Dirac, since ZI decide to jump into REW.
I may spend the money later, but I think XT32 does a great job now, so not sure I'll spend the money yet. I do think $100 for a mic and REW + donation is worth the expense to check behind audyssey, especially since I have subs with so many modes I can try.
I also have to do some level matching after XT32 is complete, because my center is set to -12, so I think the Umik is a smart move. Plus itll be fun.
IMO, XT32 is ok, but good placement, some basic room treatments, and good speakers can get you pretty darn close to what XT 32 does. The real money is in Audyssey subEQ.
Being able to measure can be invaluable in getting the placement just right and also to help understand what Audyssey is actually doing when it doesn't show you the before and after graphs.
That's a big reason why REW can be a powerful tool. You specify what your goal is (+- FR, and range), tilt (if any) and a bunch of other parameters and you upload that to the minDSP and then remeasure to see how close you've gotten. You can also just go straight to the miniDSP software and specify your own curves and see if you can do better than autoREW.
I think Audyssey Pro allows more curves per channel than miniDSP and REW, but I could be mistaken. However the goal should be to use as few bands as possible, especially in a dedicated room. Which means, good speakers, good placement, and a couple room treatments first. In a living room or other area where aesthetics come into play, it can be a little trickier.