mavrick said:
Thanks for all the replies on this.
To answer your question about implementation. This unit was connected to a distribution block that fed out to impedence matched volume controls. Supposedly these controls were configured for the number and ohms of the speakers by a pro. This system flawlessly ran in this configuration for about 3 yrs before this power incident.
I have pretty much decided to dump this amp and get something else.
If I were to go out and get something different, I could obviously go with a regular receiver (2-channel or A/V) or a true multizone receiver. The house was prewired before I bought it and it doesnt have any control wires run out to the volume controls to tie back to the mulizone receiver. These could be fairly easily added if needed. I wouldn't mind doing a multizone receiver with paging input from my phone system, but I am not sure I want to spend the kind of money I am guessing a receiver like this would cost.
Any thoughts?
Thanks again for all the input!
This "whole house" stuff is still pretty new but I'll simply blurt out some thoughts, with no guarantee.
I'm curious about this "distribution block". If it maintained a constant load (impedance) on the receiver at a value it could sustain, (and since it lasted three years that's a good bet), then all seems well from that area.
One question that would be good to know is what impedance did it present to the amp, and did it maintain that impedance regardless of whatever settings were applied to the individual speakers in the rooms?
The next issue would be that if it was inefficient and caused the amp to work extra hard to maintain the levels required, problems might arise. Unless the amp was running very hot constantly, then this would not be an issue.
If it was running fairly cool, then it's failure may be one of those "shiite happens" kind of things.
In any case, for multiple speakers and level controls, I think a heftier amp that was comfortable at high power and low impedances would be better suited for this task than those in your standard run of the mill home stereo.
Perhaps a commercial amp fronted by a plain vanilla tuner/preamp end like an Adcom 400 or a NAD 1600*? Both of which are readily available on the used market for a song.
I'm sure that box and the L pads in the rooms sucked up a goodly amount of power that never made it to the speakers.
Good luck. Keep us posted...
* I run a NAD 1600 and have no complaints.