Receiver with built in room equalization

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warnerwh

Full Audioholic
I'm curious if someone makes a receiver with full blown room correction yet? Thanks
 
Not sure what you mean by full-blown, but almost everyone is doing something now, with Yamaha and Pioneer leading the pack.
 
W

warnerwh

Full Audioholic
Please forgive my ignorance on what is current in receiver features. By full blown I mean something akin to a Tact RCS 2.2 with a calibrated microphone and software for adjusting your system. Are there any with very elaborate equalization that also have pre outs? What I mean by elaborate equalization is preferably parametric equalization with maybe 10 bands. Thank You
 
M

Mort Corey

Senior Audioholic
You might want to check the specs on the Denon 5805. The 3805 has an 8 band PEQ and IIRC the 5805 is miles ahead on that front....as well as many others.

Mort
 
M

Mr.T

Audioholic
Warnerwh,
After reading your post 100 times, I think I have an idea of what you're looking for, please correct me if I am wrong!

You would like to know if there is an elaborated receiver that interacts with a computer and be able to control the functions of this receiver with a computer software?

I am now acrossing my fingers, closing my eyes hoping I am right. Am I?

Mr.T
 
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J

Jason Coleman

Banned
Mort-

Any news on the new American Idol try-outs?

:D:D:D

Jason
 
M

Mr.T

Audioholic
What's up Jason? I'll bet you have an answer for Warnerwh, come on spill it out, instead to be negatively :eek: :eek: :eek: :eek: :eek: judgemental.

Mr.T
 
W

warnerwh

Full Audioholic
Mr.T said:
Warnerwh,
After reading your post 100 times, I think I have an idea of what you're looking for, please correct me if I am wrong!

You would like to know if there is an elaborated receiver that interacts with a computer and be able to control the functions of this receiver with a computer software?

I am now acrossing my fingers, closing my eyes hoping I am right. Am I?

Mr.T
Actually what I want is the equalization part with pre outs. I may try a Behringer 2496 which is a pro audio piece. The 2496 has a 31 band graphic equalizer plus a 10 band parametric equalizer among other things. The part that hooks upto a computer would be nice but not necessary. If nothing is available yet then I'm sure it's coming. So you are very close on being right. I'm presently researching all sorts of equalization and dsp.

I just checked prices on the 3805 and suspect the 5805 is even more. At that price I could go with a refurbished Tact RCS 2.0 for 1500 with both a/d an d/a. I'm trying to save some money but if I have to I will buy the Tact. If anybody has any suggestions I'd appreciate it. Thanks
 
Az B

Az B

Audioholic
warnerwh said:
Actually what I want is the equalization part with pre outs. I may try a Behringer 2496 which is a pro audio piece. The 2496 has a 31 band graphic equalizer plus a 10 band parametric equalizer among other things. The part that hooks upto a computer would be nice but not necessary.
I bought the deq2496 to have an easily portable RTA/SPL meter. I never intended it to be in loop for my main system. I've since hooked into the system using the digital connections and it sounds great. Very flexible, quiet. With all the stuff it does, I'm amazed it was only $350.
 
V

Visitor

Audiophyte
Az B said:
I've since hooked into the system using the digital connections and it sounds great. Very flexible, quiet. With all the stuff it does, I'm amazed it was only $350.
Please, can you give specific details about the "hook-up using the digital connections" and the amp/preamp/receiver you are using it with?

Thanks.
 
J

Jason Coleman

Banned
Mr.T said:
What's up Jason? I'll bet you have an answer for Warnerwh, come on spill it out, instead to be negatively :eek: :eek: :eek: :eek: :eek: judgemental.

Mr.T
Sorry...it was an inside joke from AFSForum. :D

Jason
 
Az B

Az B

Audioholic
Visitor said:
Please, can you give specific details about the "hook-up using the digital connections" and the amp/preamp/receiver you are using it with?

Thanks.
Right now it's being used on a 2 channel system. I have a Carver Reference CD player with volume control sending the digital info to the DEQ, and the digital out to my active crossover. My active crossover has it's own DACS, so from there it's analog to the amps and speakers.

At some point I'm planning on upgrading my preamp to one that supports digital outs. There are a couple available but they're pretty pricey.
 

plhart

Audioholic
"Actually what I want is the equalization part with pre outs. I may try a Behringer 2496 which is a pro audio piece. The 2496 has a 31 band graphic equalizer plus a 10 band parametric equalizer among other things. The part that hooks upto a computer would be nice but not necessary. If nothing is available yet then I'm sure it's coming. So you are very close on being right. I'm presently researching all sorts of equalization and dsp.

I just checked prices on the 3805 and suspect the 5805 is even more. At that price I could go with a refurbished Tact RCS 2.0 for 1500 with both a/d an d/a. I'm trying to save some money but if I have to I will buy the Tact. If anybody has any suggestions I'd appreciate it. Thanks"


Room equalization works by outputting a test tone sequence to your speakers while an omni-directional mic is placed at the listening position. At this time I know of no "room EQ" system which is capable of differentiating between a direct sound and the first reflections from side walls, ceiling and floor which arrive only milliseconds later. The room EQ in receivers are thus trying to EQ an average of direct from the speaker readings and at least the first reflections(which are numerous)

If your speaker system is capable of delivering, say, 80Hz to 20Khz + or - 1dB on axis and drops exactly linearly to ,say, -4dB at 20KHz you've got a great loudspeaker with incredible polar response so auto room EQ on such a system would sound pretty good. But that's because the system was flat in the first place and didn't need EQ!

The pros in home theater set-up use passive absorption devices or on rareoccasions diffusion to absorb or break up first axial reflections. Room EQ devices then are best restricted to the bass regions only. The high end of this scale is usually said to be ~250Hz but the real benefits of EQ's begin when the room dimensions and bass waves become similar lengths.

I'm starting to work with a Behringer DEQ2496 for dialing room modes out of twin subs right now. It does show promise but you need the capability to accurately determine the exact center frequency of a room mode, its height and width so you can dial it in. From what I gather the 10-band parametric is able to squeeze down to 1/10 octave and most peaks I've encountered are this wide or wider. I'll be reporting on my findings.

BTW The Tact 2.2 is a really nice piece. I used it in final voicing at Alesis but did it with a single speaker, high on a stand, with acoustical padding all around and from a distance of 4.5". This pretty much took the room out of the equation.

Meanwhile, don't expect built-in room EQ's to be able to work miracles...GIGO.
They may be cool for the surround speakers but not for your LCRs which you want linear with good polar response from the get-go.
 
V

Visitor

Audiophyte
Az B said:
Right now it's being used on a 2 channel system. I have a Carver Reference CD player with volume control sending the digital info to the DEQ, and the digital out to my active crossover. My active crossover has it's own DACS, so from there it's analog to the amps and speakers.
So, if I understand, the DEQ2496 accepts digital-in and can deliver digital-out.
What's your crossover brand/model that has its own DACs?
Can you name the few preamps that have digital outs?

Thanks.
 
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W

warnerwh

Full Audioholic
Plhart: I have a dedicated sound room that is 12x17x7'2". The room has 3" and 4" acoustic wedge foam completely covering the front wall. The ceiling and side walls are covered out 5', or in other words LEDE. The ceiling is a triple layer: 1. soundboard, then resilient channel holding controlled density sheetrock which is covered with acoustic tile. The floor is concrete slab with a heavy pad under carpeting. There are large bass traps in each corner and one extra in the middle of a side wall. The reason I am telling you this is so you have an idea of where I'm coming from.
After tuning my very tunable VMPS speakers and getting the best position I could I find an equalizer still helps alot. It helps well above 250hz. Trying to do with treatment what can be done with a sound processor is much more work than it needs to be and possibly more expensive. Therefore in my experience I'm forced to disagree with that thinking. I fully encourage people to try an equalizer. This should be done with the help of a test cd and a SPL meter, then of course to taste. The gain in sound quality is very worthwhile. Like REG in Absolute Sound said: "Everybody in the consumer world has got it in his head that equalization adds phase shift, but of course it's really just the other way around. If you equalize the resonances out of a room the correct timing is restored." I will add that if you just take it either part or most of the way there that the improvement is quite worthwhile, to say the least.
 

plhart

Audioholic
"Plhart: I have a dedicated sound room that is 12x17x7'2". The room has 3" and 4" acoustic wedge foam completely covering the front wall. The ceiling and side walls are covered out 5', or in other words LEDE.”

1. Wedges which measure 3” and 4” high at their peak do not have anywhere near the effectiveness or solid masses of 3” or 4” thick foam. The closer measure of their true effectiveness is by measuring the thickness of the wedges at the bottom of the wedge.

2. You do not mention how far out into the room your speakers are placed or your listening position but assuming that you’re using “classic optimized stereo” positioning I’m guessing your speakers’ front plane is about at the 5’ mark where you’re ending your room treatment. Thus, for all the damping behind the speakers you may still not be attenuating the first reflections from the sidewalls floor or ceiling.

3. The LEDE room was originally intended as a stereo listening optimization technique but implicit in the LEDE’s optimization was controlling at least to some degree the numerous (axial) first reflections which it appears your set-up might not be doing on the sidewalls because you do not have main reflection points covered (ususally halfway) between your speakers and your listening position. Your’s would appear to be slightly less than 1/3rd coverage so I would suggest, again not knowing the exact speaker and listening positions that a simple rearrangement of your already purchased foampanels to cover all first axial reflections and the echo slap from the rear-center of the room could increase vocal intelligibility.

“The ceiling is a triple layer: 1. soundboard, then resilient channel holding controlled density sheetrock which is covered with acoustic tile. The floor is concrete slab with a heavy pad under carpeting.”

1. I don’t know what “controlled density" sheetrock is. I would only say that standard sheetrock which is basically of a poured plaster-like composition could also be called “controlled density”. The 1” soundboard on the ceiling will give you attenuation down to 1000Hz. So along with the “heavy pad” (wool or felt I presume) undercarpet these two absorption elements are contributing far mor percentage-wise to mid and high frequency absorption than the foam you have behind your speakers.

2. The bad rap with resilient channel (or “Z” channel as it is sometimes known is that most installations use even increments of spacing of the channel so the end result can be a very specific one or two frequencies usually below 100Hz which have a huge suck-out, thus making the room mode frequency range below 150Hz harder to equalize.

There are large bass traps in each corner and one extra in the middle of a side wall.

1. You do not give details on your traps so I cannot comment as to their probable effectiveness.

“The reason I am telling you this is so you have an idea of where I'm coming from. After tuning my very tunable VMPS speakers and getting the best position I could I find an equalizer still helps alot. It helps well above 250hz”

Although you’ve done a good job at attenuating the ceiling and floor reflections above 1000Hz or so there may still be very strong sidewall reflections which should now be more noticeable. That you can still notice the equalizer “helping a lot” can mean any of several things from the speakers not being flat reproducers in an anechoic environment in the first place to the more likely scenario that psychoacoustically it "sounds better" to you. And that really is all that matters.

”Trying to do with treatment what can be done with a sound processor is much more work than it needs to be and possibly more expensive. Therefore in my experience I'm forced to disagree with that thinking. I fully encourage people to try an equalizer. This should be done with the help of a test cd and a SPL meter, then of course to taste. The gain in sound quality is very worthwhile.”

Again, when you use a sound processor(with mic at the listening position) and you have not attended to the first sidewall reflections (and the echo slap from the rear wall) you are reading a great % of reflected energy and the direct energy from the speakers being summed together at the same time. So the EQ is working off of all information, delayed and direct, to try to “equalize”. You may be going further away from the linear on-axis and polar response ideal. Though again. Whatever floats your boat.

“ Like REG in Absolute Sound said: "Everybody in the consumer world has got it in his head that equalization adds phase shift, but of course it's really just the other way around. If you equalize the resonances out of a room the correct timing is restored." I will add that if you just take it either part or most of the way there that the improvement is quite worthwhile, to say the least.”

The bass frequencies below 150Hz, combined with the room effectively constitute a minimum phase system. If you can measure the room modes with 1/12 or better yet 1/20 octave precision and apply an inverse signal of exact height, width and frequency with a minimum phase device such as a parametic equalizer then the signal remains minimum phase. With full range speakers having woofers operating above and below that 150Hz range this doesn’t work because the interrelationship of the reverberation within the room changes as the frequencies increase.
 
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W

warnerwh

Full Audioholic
You have some good points but I suspect my room is much better than the average listening room. The frequency response from 80 to 400 is nearly flat (+or-2db). If it weren't for a dip and peak in the lower bass it would be within plus/minus 10db across the entire spectrum. That I suspect is considered a "good" room compared to average.
The resilient channel was not only spaced randomly but angled to broaden any resonances.
Good guess on where the front of the speakers are. There is also some wedge foam at the first reflection point on the ceiling. The side walls have pictures which I'm sure aren't ideal but the frames do help with diffraction. My listening position is 9' from the front of the speakers btw.
Two of my bass traps are clones of Ethan Winers, two are Jon Risch diy and one is a roll of fiberglass nicely packaged. Bass traps alone I found help alot even if nothing else is done.
The most important part of an equalizer is the bass frequencies. I suspect this can help many people. Clean up the bass, even partially, and you improve the overall sound. Any midrange or treble anomolies that someone has trouble with due to the fact they are limited on speaker position can also be addressed with an equalizer. Considering just about every live music show, other than acoustic, uses equalizers for the acoustics should say something. And although I'm using an Audio Control ten band equalizer which is far from ideal, the sound improvements are significant. Adjustments are made that cannot be done by speaker position alone. Believe me, I've tried. The truth is that small adjustments can make a world of difference and I think that telling people that something is wrong with their system or room if they need one is an injustice.
 
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