tjkahn said:
1) On the Avia disk, they say to calibrate to 85db, or lower if that's too loud. My question is, why does that even matter? Isn't the only important thing to have the same db reading for all speakers, and then you can listen to whatever overall volume you want by adjusting the master volume when watching a film or listening to music.
85dB is Dolby 'reference' level. When the test pink noise is at a level of -20dBFS (20dB below 'full scale'), you adjust the meter to read 85dB. With a full scale signal, your peaks will reach 105dB (85+20). The test tones on Avia are at the required -20dB level and they are just telling you to adjust your channel trims so the meter reads 85dB to match Dolby reference standards. They suggest using 75dB in some cases simply because 85dB is quite loud and peaks that reach 105dB are *extremely* loud.
Note that Digital Video Essentials (DVE) tones are at -30dbFS which is why they tell you to calibrate to 75dB. Calibrating using DVE to 75dB will result in the same settings as using Avia calibrated to 85dB [85+20=105, 75+30=105]. Test tones on THX certified receivers follow the -20dBFS requirement; non-THX units may or may not.
You are correct that all that really matters is that all of the channels are equal - you can set your idea of 'reference' to anything you want. The idea is simply to have a mark on the dial that represents the maximum you would ever want to listen at. For Dolby standards, that is 0dB on the volume scale (for receviers with relative volume displays) and at that level the SPL is 85dB (as described above).
For receivers with only absolute volume displays (like 0-100), they usually don't tell you which number to use for 'reference' - you can choose any number you like (within reason, obviously you cannot achieve such a high output level at at a low number on the scale when the channel trims have a limited range, usually +/-12dB). A good rule of thumb is somewhere around 75-80% of the range of the scale.
You are also correct that you will likely NEVER listen to music or movies at that level - you will always adjust the volume dial to somewhere below reference level that is comfortable for your ears - but having a reference is still valuable. By definition, a reference is simply a point from which everything else is relative. So if you calibrate to Dolby reference level (the way it 'should' be in the theater) and you like to listen at -20, then you can say that you prefer to listen at 20dB below reference. But, you can only compare your listening levels to others if you all use the same test tone and calibrate to the same SPL. That is why the reference level is specified - so we can all be on the same page when discussing levels.
tjkahn said:
2) For my five main speakers (which are JBL's that I'm upgrading to Axiom's), it's very easy to get the needle to hold steady in the same place for all five speakers, but the needle tends to bounce around a little more on the subwoofer (M&K MX-125).
The RS meter is less accurate at low frequencies; you can find charts of correction factors by searching on the internet. There is also some controversy over how accurate the tones on the test discs are for the subwoofer - many suggest just using your receivers tones for the sub.
Just try to match the sub as close as possible to the mains. Note that the Dolby ref standard allows the LFE channel to be up to +10dB hotter (so peaks of 115dB). If you use the RS meter for the sub, it will already be a little hotter than the mains, so probably best to just get it close and then tweak by ear.