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MikeD105

Enthusiast
OK so I know there have been tons of threads about the Digital Video Essentials DVD and now BluRay as well as the AVIA discs and others.

Currently I own the DVE DVD and I've gone through most of the educational bits and that is all well and good. What I'm trying to determine is what settings here are really crucial. I mean some of the patterns are recommended with use with a colorimeter or spectrograph of some sort and for me thats really going over the top.

Look I love my HT setup and of course I want it to look and sound as good as possible, but for me there is also a line that once crossed is just too much minutiae for me.

I'm trying to see if anyone knows of a guide or walkthrough that kind of explains what of these digital video essentials are truly essential. What of these patterns should average joe consumer really be concerned with?

I don't have an actual professionally designed theater room in my house which some of what's on the disc kind of implies, its just my den that now happens to have an HD TV and a surround sound system in it. I want form and function to meet at a happy medium, but not be bogged down with the slightest of detail.

Any thoughts on this??
 
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fredk

Audioholic General
Its been a while, let me see if I can remember.

Start with the setting on your TV that is closest to the 6500k color temperature. This is the reference color temperature that the studios use and your objective is to get whats on your screen looking as close to what the studios intended as you can.

From there I worked on white levels (hardish to do) and black levels (easy). Use your display manual to figure out which control corresponds to each. I seem to remember that white levels were a series of bars ending in white. The objective was to get clear separation between each bar. I found it kind of hard to do with the last two bars.

Black levels were much simpler. There were two sets of 4? bars representing below black, black, 2% above black, 5% above black (percentages could be off slightly) against a black background. You want to get to the point where you can just barely tell the difference between the black background and the 2% above black.

From there I went to a set of color bars that you looked at to adjust your colors. In my case I only had tint and hue to work with. I could not directly adjust RGB values. I ended up with a little too much red so that sometimes there is a bit of a red tint in very dark backgrounds. Its not something I notice any more.

Don't bother with grey levels or gama unless you are willing to buy the appropriate meter.

It is a little confusing at first, but after a few times through the disk it starts to make more sense. Hope this helps.
 
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