Why do you think pushing them hard would degrade the SQ? Rythmik's are not known for being a high spl sub and I'm just wondering how you came to the conclusion that the Paradigm wouldn't do well if pushed hard. Have you heard the Paradigm before?
To specifically answer your question - I am mainly thinking of this guys disappointment with his new Sub12:
http://forums.audioholics.com/forums/showpost.php?p=786459&postcount=19
However, your point about high SPL is valid. I do not
know that the Rythmik can produce the same or greater SPL than the Paradigm. Both are sealed. The Rythmik is larger, but the Paradigm puts out more watts. Not knowing the efficiency of the drivers leaves this as a question mark.
Unfortunately, the Paradigm will embarrass itself if pushed hard because it does not appear to have a means to limit the signal before it bottoms out the driver.
The Rythmic's servo system will prevent bottoming out and "clapping" as explained in the following review (BD is the man behind Rythmik):
http://www.hometheaterhifi.com/volume_11_2/diy-14-rythmik-directservo-subwoofer-4-2004.html
CM- So, then when the voice coil goes beyond the gap, the impedance drops, and the current-sensing portion of the circuit provides the protection and actually backs off amplifier output beyond linear excursion, and the system is more stable because it inherently tries to keep the driver within its linear range, as opposed to trying to linearize behavior regardless whether it’s in its linear range or not. So that part of the feedback circuit protects the driver by its very nature? Then, functionally speaking, in addition to the protection from over-excursion provided by the driver suspension and mechanical stiffness of the enclosure air, you get the benefits of a smarter limiter that provides a soft kind of protection based on the most important aspect of protecting the driver-cone excursion, as opposed to typical limiters that operate on the basis of amplifier output level? That sounds smart.
BD- Yes.
From my perspective the first objective of a good sub is to
never make obnoxious sounds (unless they are in the content of the recording). I'd much rather have a sub that does not go loud enough and thereby "tops out" the SPL of the bass below the SPL of the mains than one that attempts the high SPL and can tear itself up with the effort.
You may be right that the E15 won't do the job. The questions of room size, music vs HT, and speakers/crossover is to get some sense of whether the E15 (or Sub 12, for that matter) is up to the task.
The Sub 12 is a great, albeit somewhat expensive, sub if you don't push it past it's limit.
HTH!