Hey doc, you can still get "true surround" with DTS MA, as it is actually a dual bitstream: "original" lossy DTS + extension stream. If connected by S/PDIF, you will still get "true surround" (as just the first stream is passed). BTW, I'm glad you finally joined the blue man group. I know you get livid when thinking of the "sewers of Hollywood", as you put it, but I do hope you find the jump into this format as worthwhile. Cheers.
Well you taught me something there, I did not realize DTS gave you two for one: how elegant!
I'm looking at a BD right now though that only has two channel lossless PCM and Dolby True HD, no DTS track.
Yes, I have really got this system tuned up. I hope to have time to make some lengthy reviews not only of the discs, but the Marantz AV 8003, the Oppo BD-83, an AVTI pro buffer amp, and my fascinating.
So far I have watched Carmen from Glyndebourne recorded by the BBC in 5.1 Dolby True HD. Superb performance and picture, with gorgeous sound. The BBC got a perfect balance between the orchestra and stage. I have watched this twice, first by my self and with friends who came for the weekend who were bowled over.
I have watched Tannhauser from the Festspielhaus in Baden Baden. This recorded in 7.1 DTS Master HD. This is a another winner, the perspective given by the 7.1 audio was uncanny. I watched this all the way through alone, and a good section with our weekend guests. This is really spectacular. I kid you not it sounded like the opera house. The room was huge, with the stage and orchestra at a much greater distance then the end of the room, and yet detail maintained. In no way did the sound seem to be reproduced. It was somewhere between 90 and 95% of the real thing. I never thought I would live to experience such a phenomenon.
From the downbeat of the overture, I was enthralled, and the picture superb also.
This sound is so far above anything that can be done in lossy codes it is unbelievable. After hearing this I regard thinks lossy codecs as adequate just plain wrong and out to lunch.