At the 2008 Audioholics State of the CE Union Expo, Audyssey had their demo room stocked with the newest MTS-01 family of SVS speakers. On top of that, they had two PB13-Ultra subs giving them access to practically unlimited amount of bass (I heard they had two more at the show but they didn't want to damage the building). This worked out well as Audyssey was showing off their different processing capabilities including their new Dynamic Volume. The demo was eye (and ear) opening to say the least.
Discuss "Audyssey Dynamic EQ and Dyamic Volume Demo" here. Read the article.
Now there are many ways of doing some kind of room correction in the digital domain....
Like: Lyngdorf Room Perfect, Tact Labs Spectrum Dynamic Room Correction, Audyssey, Deqx, Holm acoustics
And you have the pro gear, like Behringer ultracurve pro
Especially new Danish holm acoustics products seem very interesting.....
different pricing and very different capabilities and very hard for consumers to pick what works best for them. The digital crossovers employes in some of these products are also very different.
Do you have any thoughts on getting into tis minefield on this, this would be interesting, to say the least....
For instance, Lyngdorf products provide for room correction but absolutely no phase correction
Holm products and deqx provide for both amplitude correction and phase correction
some of these products are quite pricey, and important to consumers to make choices that suits them, may be quite difficult task.
Regards
Harald N
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