<font color='#000000'>One of the main reasons I use Yamaha for my home theatre (Z9) is because I used to work for a high end audio store that sold the line, so I am very familiar with the sound and set-up. Yamaha has tremendous value and good sound for the buck, although I admit the Z9 is in different territory cost-wise. Yamaha is trying to make a statement - separates look out! There are a few things I don't like about their A/V receivers, especially the multitude of DSP programs. I only use the DSP theatre programs (especially 70MM Spectacle, Sci-Fi, and Adventure) because of the huge theartre-like sound with the extra set of front DSP speakers. As far as I know, Yamaha is still the only company offering this speaker array. Theatre sound is so gimmicked anyway, and you can't beat the extra dimension the front DSP speakers give to the sound field.
As to the other DSP programs, which I never use, at least Yamaha has gone far afield to measure frequency response, reflection, decay etc. in actual cathedrals, concert halls, night clubs, etc. (all identified with each program) and attempted to duplicate the sound in your home. All this tremendous computing power is done with their own in-house chips, unavailable to any other manufacturer. The other manufacturers DSP programs are brewed in a lab and sound mostly awful. Still, I am of the old school - if the recording is done properly don't monkey with the sound.
There certainly is a lot of other A/V receivers with good sound, and I was very close to buying a Denon AVR5803 when I decided to wait for the Z9 (and wait I did - 5 months!!). The market is very competitive, and the A/V manufacturers are stumbling all over themselves to offer bang for the buck with good sound. The average consumer is very savy because of internet research, and the fact that most of the surviving audio/video (most, not all) mags pay a lot more attention to ear evaluation and less to meaningless specs ( thanks Harry Pearson and J.Gordon Holt!!).
A lot of the A/V manufacturers are now using proven high-end designs with high class power supplies, caps, decoding chips, etc. and paying a lot of attention to the resulting sound. Great for the consumer and the ear!
I just spent last evening helping a friend set-up his home theatre and music system (Yamaha & Totem speakers and sub woofer, a great combo). He bought a RX-Z1 that was heavily discounted and the sound that brute (I'm talking well recorded music) with the Totems put out was jaw-dropping. I am talking about wall to wall soundstage with incredible depth and imaging. This is sound that a few years back you would have to purchase super-buck BAT, Pass, Mark Levinson, Audio Research etc. to achieve.
I am runing the Z9 in 6.1 mode, as I don't have a big enough room for 7.1. I am using Totem Mani 2's as the front mains, a Totem Signature One for centre, a pair of Totem Micros for front DSP, Totem Model Ones (3) for rear, and 2 Velodyne HGS10's for stereo bass (thumbs up to Yamaha for providing 2 sub outputs that are actually stereo!). The sound is magnificent, and I know Gene and the boys will love this one (to bad about no sub output in Pure Direct Mode - Gene, a solution??).
I am currently setting up another system in my home using a NAD T763 with a different speaker manufacturer (Athena). Will report on my experience with this combo.
Other A/V receivers such as Marantz, Onkyo, Rotel, Arcam, B&K, Outlaw, JVC etc are receiving good press. All in the all, the consumer is the winner. Shop carefully and use the best A/D converters ever produced - your ears!!
Al</font>