Irvrobinson should be listened to
No, they're not perfect. Actually the old Dunlavy VIs (I was considering the Vs years ago) measured better, at least according to John Atkinson's tests. I wasn't trying to defend the Revels. As I've said before, I didn't design them, I just bought them.
I'm still not seeing how the deviations from linearity tell you anything about power handling.
http://s466.photobucket.com/albums/r...for%20posting/
Originally Posted by KEW
Hell Walter, as hard as you drive amps, this statement is tantamount to saying
"Every amp, when begging for mercy, has its own, unique shriek of agony."
Irvrobinson should be listened to
I use 4x300w/ch to power them (the woofers are rolled off below 80Hz at 6db/octave, the mids/highs run full-range) and now I'm pretty happy with how effortless they are at realistic volumes. How much more they'd handle, or whether I'm already on the hairy edge, I have no idea.
The best part of the Revel is the tweeter; it's amazing at realistic volume levels. I've never heard the RAAL, but considering how realistic the Revel's highs sound I'm wondering how much better the RAAL could be. I've never heard the two together; I'm waiting to hear what ADTG says. He will be, perhaps, the first person in the universe to own both...
How not? It's a power compression test.........that's exactly how we hear power handling. Our ears are much more sensitive to linear distortion than non linear distortion, especially between 1-6khz
No, I think someone sold their Gem2s for a pair of Vapor Audio Cirrus, which uses the 70-20XR
Last edited by GranteedEV; 03-11-2012 at 09:03 PM.
System: Marantz SR6003
---> Crown XLS 2000 ---> Philharmonic Model 2
---> Tapco Juice J2500 --> DIY Maelstrom X
Victory goes... TO THOSE WITH COURAGE!!!
REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
My System Photo . My System Video
HT System
Rcvr B&K AVR 507 Amp B&K EX4420 (main speakers) Main speakers Salk SongTower QWT Center Salk SongCenter Surrounds NHT SuperZero Subwoofer DIY PE RS 12" HF 2 ft³ cabinet with HPSA 500 amp BR player Panasonic DMP-BDT500 TV Panasonic TC-L37G1 Phonograph ARxa, Sumiko Oyster cartridge & Audio Technica PEQ3 preamp
SongTower Listening Impressions - Photos
2-channel system
CD Player Sony CDP-591 Pre-amp Marantz 2230 stereo receiver Amplifier B&K ST-140 Speakers DIY 2-way CAOW1
AcuDefTechGuy (03-11-2012)
REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
My System Photo . My System Video
Nuance AH should be listened to
I must have missed this. Here is the speaker list:
Vapor Audio Joule's
Philharmonic 2's
Salk SoundScape 10's
Salk HT2-TL w/LCY tweeter
Ascend Tower's with RAAL tweeter
PSB Image T55's
Salk SongTower RT's w/LCY tweeter
And here is the front end electronics quote from TJHUB's post in the GTG thread at AVS Forum:
My gear list:
Source: Logitech Touch
My Touch is running the SoundCheck TT3.0 mods with the volume lock activated (very important, and a long story). The Touch is fed via wired ethernet cable from a server computer in my basement. The server computer is set to do all of the FLAC decoding and streams PCM to the Touch. The Touch is also powered by a DIY power supply that almost made me flip out the first time I heard it. The performance is FAR better than just using an off the shelf linear power supply.
DAC: Eastern Electric MiniMax Plus
The DAC is completely stock at the moment, and will likely stay that way. I am using a Psvane 12AU7 tube though. I have some opamps I've rolled, but I'm very happy with the sound as-is.
Preamp: Rogue Audio Perseus
The preamp is 100% stock including the tubes. Since its arrival in my setup, I have been completely satisfied with it's performance. It basically just disappears completely with the tubes providing a more 3D and layered sound stage. For the record, there is no traditional warm or tube sound allowed in my house. I look to get the sound as realistic as possible.
Amps: Odyssey Audio Stratos Extreme SE Monoblocks
These monos have the "Extreme SE" upgrades which are dual transformers, and upgraded wire/components inside. It is my understanding that they output a little over 200wrms into 8ohms, and approximately 360wrms into 4ohms.
Cables: Don't kid yourself, they matter!
For those that care... I have a Black Cat SilverStar 75 digital coax between the Touch and my DAC. I am in the process of trying to decide between the Sweet Spot Reveal IC's and Morrow MA2 IC's. Both sound fantastic, but offer slightly different presentations. Either sets sound absolutely wonderful, so I'm having a difficult time picking a "winner." I'm running a DIY pair of PCOCC speaker cables that I think are the best I've heard. I purchased them pre-made with a loose Litz braid for $60.00 shipped.
Of course my speakers are Salk HT2-TL's with the older LCY ribbon tweeter. I don't think I've found their limits yet, but I don't think I'll be trying to anymore either. I've loved them since day one, and I've heard no other speaker I'd rather have. I do have an interest in possibly getting some Magnepan's in the future.
I do run a pair of EQ'd DIY 18" TC Sounds LMS-Ultra's for both music and HT. I hope to be able to show their performance for music at the GTG, time permitting. I think they are absolutely spectacular, and I can't live without them for my room. Of course they will likely be out of the room for the GTG to allow every speaker to display its full performance. I'm not worried about my HT2-TL's as they easily shake the floor with their bass output.
My journey to find the "perfect" speaker
No matter what measurements tell us, a loudspeaker isn't good until it sounds good. – Dr. Floyd Toole
Good speakers generally sound good in most rooms. It's only below the transition frequency (300 Hz or so depending on the size of the room) where the room largely determines how good the speaker sounds, and there judicious placement, equalization and multiple subwoofers can fix those problems. - Dr. Sean Olive
AcuDefTechGuy (03-12-2012),frsimms (03-31-2012)
Irvrobinson should be listened to
I finally got around to searching for this review. I'm still not seeing what you're seeing. All of the graphs I see are for measurements in the 85-90db range, and I can't believe that's enough to test the power handling of the tweeter. Or if it is, and what I'm hearing at higher volumes is compression effects, all I can say is that compression effects sound damned good.
I would also like to thank you for the review pointer and the linked measurements. I hadn't seen them before, and the measurements are extremely interesting. The THD measurements, especially, may give me an indicator to why the Salon 2 sounds so much cleaner with an 80Hz-6db/oct high-pass filter, because I'm guessing the D18+ has substantially lower distortion below 80Hz than the Salon 2 does, and rolling off the Salon 2 woofer response probably decreases THD in the important 40Hz-150Hz range.
REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
My System Photo . My System Video