AcuDefTechGuy (03-12-2012)
Lordhumungus should be listened to
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AcuDefTechGuy (03-12-2012)
Toshiba 55" LCD/LED
Yamaha RX-V1900 HD 7.1 AVR
Yamaha CDC-867
Samsung BD-P1600 Blu-ray
Klipsch 1979 Cornwall Crites Mod's
Klipsch RC-62 Center
Klipsch RS3-II Rears
Klipsch Synergy Sub 12 X2
Revox A-77 Mk IV Dolby R2R
Akai GX-4000D
Nakamichi BX-100
Pioneer PL-518X TT
Pickering XUV D4500Q
Bedroom
Yamaha RX-V2400 A/V Receiver
Klipsch Heresy II
Klipsch KSB 1.1 X 3
Klipsch Synergy Sub 12
Toshiba 46" LED
Sony BDP-S300 Blu-ray
Akai 4000 DS MK II
Kenwood KX-97CW
AcuDefTechGuy (03-12-2012)
Honestly, I'd be tickled if my "$3K" speakers sounded better than my "$22K" speakers.
That's just the way I am.
If anyone wants to order what I ordered, I think it will be this:
Phil3 base price: $3,000
Mahogany veneer & red lacquer: $100
Grills fronts/TL ports: $160
Shipping: $175
Piano High-gloss: $1,500
Total: $4,435
Last edited by AcuDefTechGuy; 03-12-2012 at 06:10 PM.
REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
My System Photo . My System Video
MidnightSensi2 should be listened to
Yeah, I actually found the Wilson's to be fatiguing. I was a serious buyer, tried different demo days, different amplifiers. I wanted them for the sex appeal for a kickass two channel system. But, simply didn't like the way they sounded. I mean, I really walked into the room thinking I'd buy them.
AcuDefTechGuy (03-12-2012),haraldo (03-13-2012)
DS-21 is off the scale
They don't seem to be reviewed much, unfortunately. Here are sound power measurements I found from HTMag for a Tannoy Sensys system, with the top line is a tower, the middle one shows the glaring flaws one expects from a horizontal center channel, and the bottom line is a bookshelf.
They also measured the Arena eggs, of which I own two pair, but found in a blind test I didn't like as much as the KEF HTS3005SE (the best-sounding small "designer" speaker out for my tastes, and subsequently purchased), John Krutke's Bargain Mini design, or a Behringer B2031P.Originally Posted by HTMag
Here is someone else's unsmoothed on-axis in-room measurement for a Tannoy System 12 DMT II, my reference LCR main, with the caveat that an in-room measurement will not be as clean as a quasi-anechoic one.Originally Posted by HTMag
Note that they have an "Audyssey notch" built in, which is perhaps one reason I liked Audyssey better on them than I did on the KEF eggs.
If you overtoe them such that all three cross ahead of and in front of the listening position, as I've found optimal for the types of speakers I generally like, then the overall response profile smooths out on top to a more gradual shelf. (That is to say, the listening-axis response doesn't come back up in the upper mids.)
When the 8x8 miniDSP-in-a-box comes out and I start playing with measurements of them for active crossover design, I'll probably set up a small website/blog to help other people with these speakers who may be considering going active.
Not to my knowledge.
Seriously, I can't believe nobody has yet noticed the most obvious thing visible in Dr. Murphy's nearfield measurement: the Westminster Royals he measured are miswired! (No, that does not speak well to Tannoy's quality control.)
Just look at that deep null, right where one would expect the crossover to be, indicating one of the drivers is wired in the wrong polarity!
That said, I didn't like the Westminster Royals, or Churchills, when I heard them. Or any 15" Dual Concentric I've ever heard. (Never heard the Glenair 15, though I've been told it was the best of 'em...by a Tannoy dealer who had previously exposed me to the D700's, D500s, and Saturn S10's, all of which I loved; the Glenair 10, which I thought good-not-great; and the TD12, Westminster Royal, and Churchill, none of which were my thing.) Or any of the TD line with their paper coned Duals and that infernal power-response-destroying supertweeter. (Didn't like the supertweet'ed KEF References at all, either. So glad both KEF and Tannoy left that silliness behind. The KEFs were not as badly affected by the supertweet as the Tannoys, though.)
I've found the 15's to be markedly more colored in the lower mids than the 10's and 12's. And the poly-cone ones just seem smoother than the paper cone ones. (I also have a set - soon to be a trio - of CPA-12s, which have a deeper paper cone and narrower pattern. I don't like them as much. However, they'll be great mains for my sister's forthcoming basement theater, so when I found a stray one available I jumped on it.) While I didn't take measurements, I compared a set of 15 DMT II's I was considering purchasing directly against my 12 DMT II's...and happily didn't buy the 15's.
There's IMO a reason their flagship Kingdom speaker used a 12" Dual Concentric.
Last edited by DS-21; 03-13-2012 at 04:32 AM.
AcuDefTechGuy (03-13-2012)
DS-21 is off the scale
I'm pretty sure those subs use the best 12" woofer around, the Aurasound NS12-794-4A.
Price is a bit of an ouch, though, even when one considers the woofers alone cost $500+ in small quantities. I thought the MSRP of my two M-Design Eleganza Bellas ($3500 ea), which use the same woofer and a 500W Class G amp, was high!
Nuance AH (03-13-2012)
Is it possible for a speaker to be that bad?
-20dB down on the FR? Even Bose is not that bad.![]()
REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
My System Photo . My System Video
Nuance AH should be listened to
My journey to find the "perfect" speaker
No matter what measurements tell us, a loudspeaker isn't good until it sounds good. – Dr. Floyd Toole
Good speakers generally sound good in most rooms. It's only below the transition frequency (300 Hz or so depending on the size of the room) where the room largely determines how good the speaker sounds, and there judicious placement, equalization and multiple subwoofers can fix those problems. - Dr. Sean Olive
Price of the Burmester's are oooouch, but there are quite good other sub's that can probably match them
The Adyton line source speakers are ouch priced tooo... It is made using quite normal vifa fullrange drivers, I don't think they are really expensive, not sure which tweeter is used, but from what I can see probbaly a quite normal ribbon tweeter, raven or something similar....
Not sure the Vifa drivers can be bought off the shelf, but I believe it is something like this:
Vifa TG9FD-10-08 3-1/2" Woofer 299-269
The full range drivers are run without filter at all in series, but with some components in parallel with drivers, while tweeter use a simple 1st order around 10KHz....
There is only NOW