Irvrobinson should be listened to
Irvrobinson should be listened to
I have to admit that this conversation regarding Crown XLS and CT amps and the like fascinates me. In the world I work in (high end pro audio) we would not even consider using these amps. We would be looking at the higher end touring/performance range. Why? Because there is a big difference in the sound quality of the amps you are talking about and the touring class - big difference and a big difference in performance.
It is a very interesting post.
Gordon
I've worked with almost every amp in the Crown and QSC line up and would have to wholeheartedly disagree with you.
This is coming from a guy that absolutely loved the Macro-Tech and iTech lineup from Crown. Also the big bruisers from QSC the PLX series.
I don't know if the XLS's are touring grade. But touring grade simply means you can beat the crap out of them, drop them off the back up a truck, pick them up and plug in and go.
You wouldn't believe how many of these amps I have seen with a bent rack ear from being dropped or a dented corner.
HT: L-C-R Zaph ZDT3.5's | AVR: Denon 4308Ci | Source: HTPC (Radeon 5k series - AMD Sempron 140 - 4TB server) | Sub:Infinity Reference Dual Opposed | Behringer iNuke 3K-DSP
2.0: Mission Statements | Amp: Crown XLS402D | Source: AMD Brazos CPU | 96GB SSD | 4GB | Win7 x64 | E-Mu 1212m PCIe | Tripplite PR-10 DC Power Supply | Mini-box DC to DC ATX
Irvrobinson should be listened to
I don't mean to hi-jack the thread, but since we're talking about crown may I throw out a quick question? Any thoughts on the crown macro reference?
HT: L-C-R Zaph ZDT3.5's | AVR: Denon 4308Ci | Source: HTPC (Radeon 5k series - AMD Sempron 140 - 4TB server) | Sub:Infinity Reference Dual Opposed | Behringer iNuke 3K-DSP
2.0: Mission Statements | Amp: Crown XLS402D | Source: AMD Brazos CPU | 96GB SSD | 4GB | Win7 x64 | E-Mu 1212m PCIe | Tripplite PR-10 DC Power Supply | Mini-box DC to DC ATX
Maybe if you are playing a105dB music concert on the football field and one amp is clipping/ distorting to keep up.
But it has been proven time and time again that if you play the amps within their capacity, they will not have a sound of their own if they measure similarly.
That is why my $22,000 Revel Salon 2 sound the same on a $3,000 AT3000 amp vs a $500 Crown XLS amp. It tells me the Crown XLS sounds EXACTLY the same as the much more expensive ATI amps (which are the OEM of the $7,000 Lexicon 300wpc amp).
Irvrobinson can tell you his $3K ATI amp sounds at least as good as his $20K Mark Levinson amps.
So cost and status means nothing when it comes to amps or speakers - it's about performance. Well, okay, aesthetics too.![]()
Last edited by AcuDefTechGuy; 05-25-2012 at 08:58 AM.
REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
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REVEL SALON2 . B&W 802D2 . KEF 201/2 (6) . LINKWITZ ORION3 . TAD 2201 . DYNAUDIO X32 . FOCAL 826V . ATC SCM7 . PHILHARMONIC 3 . FUNK 18.0 (2) . RBH SX-1010N (2) . VELODYNE SC600 (4) . PIONEER MM301 (8) . DENON AVP-A1HD/AVR-5308/AVR-3312/DVD-3800BD . ATI 3005/3002/2004/6012 . BENQ W6000 . ADCOM GFS-600 . APPLE TV . KIMBER KABLE 8PR
My System Photo . My System Video
DS-21 is off the scale
True. And in terms of mass the contrast is obvious. But in terms of frontal area and to a lesser extent volume it's not quite as clear-cut.
Per their website, an AT3005 is narrower than a standard amp (listed at 17"; a standard rack amp is 19" wide), 5RU high, and 18" deep. Ignoring depth for a moment, that means that five channels of XLS amp will have a larger frontal area, as five XLS channels will be 2" wider and 1RU taller. Though counting depth overall cubic volume will still be greater for the ATI: ~1.5 cubic feet for the 3005, ~0.9 cubic feet for the XLS1000/1500, and ~1.25 cubic feet for the XLS2000/2500.
Obviously, for two channels the Crown is a lot smaller than the AT3002. But for seven channels the AT3007 will be a fair bit more compact than four XLS amps. Like you, presumably, I'd still rather move the four XLS amps, even at once, than the ATI monster!
Yeah. Nobody's going to run a stadium system, or even a medium-sized music performance venue, off of XLS DriveCore or Peavey IPR/Crest ProLite amps. The more expensive amps have a lot more power, and also in the modern age DSP control/monitoring functions that are very useful when running huge speakers and/or line arrays to provide sound coverage for a huge area.
But for home use, those things are a lot less important. And, in fact, the bigger amps may not be as good, simply because they have so much gain that they hiss at short listening distances.
I'm curious, given the context, what you think of the EV amps. (If anything.) I'm very impressed with the CPS 8.5 as an amp to drive multiple subwoofers. I have no idea how it would perform as a touring amp.